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Asher Lev

• “…And Matthew M. Nielson’s simple note patterns cement a sound design that haunted me even after I was home.”
  • Howard Shapiro, Philadelphia Inquirer

Check out Jane Horowit’s lovely feature on Troublesome Gap in her Backstage column in the Washington Post here.

And the feature that Lorraine Treanor posted at DCTheatreScene here.

Troublesome Gap, a new web-based interactive audio drama series made it’s debut today on the Troublesome Gap website.  The series is also available as a podcast directly through iTunes.  Subscribe here.

• “And I would have to be a dead person myself not to appreciate Matthew M Nielson’s wonderful sound design (he also wrote the music for some of Nguyen’s songs).  Nielson puts his mark on the show from the beginning, when as you settle in you hear a dripping which might be water and might be…you know, stuff.  Zombie stuff”
  • Tim Treanor, DCTheatreScene
• “…while body parts crunch and squish ickily in Matthew M Nielson’s nicely layered sound design.”
  • Nelson Pressly, Washington Post

• “Sound effects are pivotal to any ‘Eurydice’ production.  Designer Matthew M Nielson has supplied spooky acoustic layers of electronic keenings, ominous rock chords, rumblings and a plaintive, evolving music-box melody that gives two wordless scenes a wrenching pathos.”
  • Celia Wren, Washington Post